Crew members like Chopper and Robin get one-liners and little cool moments, but that’s about it.
The Straw Hat crew doesn't get much screen time, which has been a consistent issue across the films. Obviously, they couldn’t give away a big mystery in a movie, but it would’ve been nice to get more information for one of One Piece’s most mysterious players. It’s a supporting role that catalyzes Film: Red’s main events while teasing that there’s more to come. It’s true that he has a presence, but it still doesn’t reveal all that much about him. Film: Red was marketed as potentially changing that, giving Shanks a larger role than he’s had in the past. Despite that, he remains an elusive figure. He’s one of the few pirates that has been around as long as Luffy himself. Shanks was introduced in One Piece’s first chapter as Luffy’s idol and an early paternal figure. Her voice is one of the most important aspects that heightens Film: Red to the best of the One Piece franchise. On the flip side, Ado’s tone can become clearly frustrated and taunting in songs like Fleeting Lullaby. In New Genesis, she feels hopeful, as if the future is close and she can reach it. Each song has a completely different energy, which allows Ado to show off her fantastic tonal range. One of Uta’s best qualities is her versatile singing voice, provided by Japanese pop star Ado. Many lyrics are laced with double meanings that might have larger implications for One Piece’s main story, and while that’s fun for hardcore fans, it might be less so for those who aren’t fully caught up.
#One piece film red series
The trade-off is that the film does require viewers to have read the main series to understand some of the nuances of the songs. The songs also act as easily digestible, catchy shorthand for Uta as a character, catching us up on her offscreen development. Using music as a vehicle, Film: Red is able to include far more of One Piece’s tenets than its predecessors.
#One piece film red movie
It’s a thoughtful choice that makes the whole movie feel authentic to the source material. New Genesis also draws lyrics from the classic One Piece song Bink’s Sake.
For example, the main theme, New Genesis, is about the current era of oppression and strife being overturned. This movie understands One Piece.Īll of Uta’s songs, meanwhile, have lyrics that reflect One Piece’s core ideals. Jokes are made at inopportune times and, in moments that a lesser film would depend on action for, Film: Red opts to throw in another joke or a musical number. Film: Red is one of the only movies to wholly embrace that idea. Those hi-jinks are what give One Piece its charm, with the series often leaning closer to an adventure comedy than a traditional shonen. Along the way, the Straw Hats participate in action-packed shonen battles and an exceptional amount of hi-jinks. To achieve this goal, he and his crew, the Straw Hat Pirates, travel the sea to find a legendary treasure known as the One Piece. Luffy’s journey to becoming King of the Pirates. Unlike previous entries, Film: Red has holistically captured One Piece’s essence. One Piece Film: Red, on the other hand, shakes things up by combining shonen tropes with musical elements, making for the best One Piece movie of the last decade. This formula generates snazzy clips but flattens stories into their most broadly appealing form. The main cast leaves the location victorious. Shonen protagonist comes into conflict with said character, besting them with a new technique. It’s revealed that the new location is home to a “famous,” extremely powerful character who has never been mentioned before.
Stop me if you’ve heard this before: the main cast enters a new location. Shonen anime films are often formulaic one-off adventures.
0 kommentar(er)
